An advertisement for Thomas Jeffery’s shop, held by David Rumsey Historical Map Collection, from ~1750,² is shown below.

An advertisement held by David Rumsey Historical Map Collection, from ~1750,⁴ for Jefferys’ shop is shown below.

An advertisement held by David Rumsey Historical Map Collection, from ~1750⁶ for Jefferys’ shop is shown below.

http://meta-studies.net/pmwiki/uploads/Misc/TJefferys_ad.jpg

http://meta-studies.net/pmwiki/uploads/JefferysPrint.jpg

http://meta-studies.net/pmwiki/uploads/Misc/TJefferys_ad.jpg

http://meta-studies.net/pmwiki/uploads/Misc/TJefferys_ad.jpg

An advertisement held by David Rumsey Historical Map Collection from ~1750⁷ for Jefferys’ shop is shown below.

Print showing a range of compasses and proportional compasses. Signed T. Jefferys sculp. From a page of an Encylopaedia, probably from the late C18 or early C19.⁹

An advertisement held by David Rumsey Historical Map Collection from ~1750 viewed 19 May 2012^] for Jefferys’ shop is shown below.

http://meta-studies.net/pmwiki/uploads/Misc/TJefferys_ad.jpg

Print showing a range of compasses and proportional compasses. Signed T. Jefferys sculp. From a page of an Encylopaedia, probably from the late C18 or early C19.¹¹

Print showing a range of compasses and proportional compasses. Signed T. Jefferys sculp. From a page of an Encylopaedia, probably from the late C18 or early C19.¹³

Print showing a range of compasses and proportional compasses. Signed T. Jefferys sculp. From a page of an Encylopaedia, probably from the late C18 or early C19.¹⁵

Print showing a range of compasses and proportional compasses. Signed T. Jefferys sculp. From a page of an Encylopaedia, probably from the late C18 or early C19.¹⁷

Print showing a range of compasses and proportional compasses. Signed T. Jefferys sculp. From a page of an Encylopaedia, probably from the late C18 or early C19.¹⁹

Print showing a range of compasses and proportional compasses. Signed T. Jefferys sculp. From a page of an Encylopaedia, probably from the late C18 or early C19.²¹

Print showing a range of compasses and proportional compasses. Signed T. Jefferys sculp. From a page of an Encylopaedia, probably from the late C18 or early C19.²³

Print showing a range of compasses and proportional compasses. Signed T. Jefferys sculp. From a page of an Encylopaedia, probably from the late C18 or early C19.²⁴

Thomas Jefferys, Snr (who used the above signature) ~1710²⁷−1771²⁸ worked as an Engraver and Geographer in the second half of the C18. His shop was situated at the Corner of St. Martins Lane near Charing Cross where he had on sale a “great Variety of Prints English and Foreign by the most Celebrated Masters And all Sorts of Maps and Globes”²⁹

Thomas Jefferys, Snr (who used the above signature) ~1710³²−1771 worked as an Engraver and Geographer in the second half of the C18. His shop was situated at the Corner of St. Martins Lane near Charing Cross where he had on sale a “great Variety of Prints English and Foreign by the most Celebrated Masters And all Sorts of Maps and Globes”³³

Thomas Jefferys, Snr (who used the above signature) was born in about 1710³⁵ and worked as an Engraver and Geographer in the second half of the C18. His shop was situated at the Corner of St. Martins Lane near Charing Cross where he had on sale a “great Variety of Prints English and Foreign by the most Celebrated Masters And all Sorts of Maps and Globes”³⁶

An article in http://MapForum.com notes that Laurence Worms has contributed the entry on Jefferys to the forthcoming edition of the Dictionary of National Biography and believes that Jefferys was born in 1719, the son of Henry Jefferys, Cutler, of St. James Clerkenwell, although his place of birth is uncertain. Worms has also located his apprenticeship, in December 1735, to the engraver and mapmaker Emanuel Bowen. Jefferys was freed from his apprenticeship in 1744. More reliably, Jefferys engraved some maps for Richard Pococke’s A Description Of The East, And Some Other Countries … (London: 1743–1745), including map of Cyprus in volume 2. In 1746, Jefferys was appointed Geographer to Frederick, Prince of Wales, and in 1757, Geographer to George, Prince of Wales, later George III.³⁸

Print showing a range of compasses and proportional compasses. Signed T. Jefferys sculp. From a page of an Encylopaedia, probably from the late C18.

Thomas Jefferys, Snr (who used the above signature) worked as an Engraver and Geographer in the second half of the C18. His shop was situated at the Corner of St. Martins Lane near Charing Cross where he had on sale a “great Variety of Prints English and Foreign by the most Celebrated Masters And all Sorts of Maps and Globes”³⁹

An article in MapForum.com? notes that Laurence Worms has contributed the entry on Jefferys to the forthcoming edition of the Dictionary of National Biography and believes that Jefferys was born in 1719, the son of Henry Jefferys, Cutler, of St. James Clerkenwell, although his place of birth is uncertain. Worms has also located his apprenticeship, in December 1735, to the engraver and mapmaker Emanuel Bowen. Jefferys was freed from his apprenticeship in 1744. More reliably, Jefferys engraved some maps for Richard Pococke’s A Description Of The East, And Some Other Countries … (London: 1743–1745), including map of Cyprus in volume 2. In 1746, Jefferys was appointed Geographer to Frederick, Prince of Wales, and in 1757, Geographer to George, Prince of Wales, later George III.⁴⁰

¹ Reproduced from David Rumsey Historical Map Collection viewed 19 May 2012 (↑)

² Reproduced from David Rumsey Historical Map Collection viewed 19 May 2012 (↑)

³ Reproduced from David Rumsey Historical Map Collection viewed 19 May 2012 (↑)

⁴ Reproduced from David Rumsey Historical Map Collection viewed 19 May 2012 (↑)

⁵ Reproduced from David Rumsey Historical Map Collection viewed 19 May 2012 (↑)

⁶ Reproduced from David Rumsey Historical Map Collection viewed 19 May 2012 (↑)

⁷ Reproduced from David Rumsey Historical Map Collection viewed 19 May 2012 (↑)

⁸ Since the drawings show the short “s” form in “compasses” (rather than “compaſſes”) this might suggest that it was printed during or after 1795–1810 when the transition was firmly under way in printing in the US and England from the older long form of “ſ” to the modern “s” form. In the US this transition was finalised by an Act of Congress in 1803. The still archaic shape of the “s” rendered - a little like the modern italicised s - still suggests the page was printed at an early point in the transition. Further complicating matters, Thomas Jeffries in his own advertisements from as early as 1760 scribes his name and associated words with a modern “s” so the plate may in fact reproduce the title that he printed on it with his careful engraver’s hand, and be contemporaneous with his life. (↑)

⁹ Since the drawings show the short “s” form in “compasses” (rather than “compaſſes”) this might suggest that it was printed during or after 1795–1810 when the transition was firmly under way in printing in the US and England from the older long form of “ſ” to the modern “s” form. In the US this transition was finalised by an Act of Congress in 1803. However, Thomas Jeffries in his own advertisements from as early as 1750 uses a modern “s” so the plate may in fact reproduce the title that he printed on it with his careful engraver’s hand, and be contemporaneous with his life. (↑)

¹⁰ Since the drawings show the short “s” form in “compasses” (rather than “compaſſes”) this might suggest that it was printed during or after 1795–1810 when the transition was firmly under way in printing in the US and England from the older long form of “ſ” to the modern “s” form. In the US this transition was finalised by an Act of Congress in 1803. The still archaic shape of the “s” rendered - a little like the modern italicised s - still suggests the page was printed at an early point in the transition. Further complicating matters, Thomas Jeffries in his own advertisements from as early as 1760 scribes his name and associated words with a modern “s” so the plate may in fact reproduce the title that he wrote on it, and be contemporaneous with his life. (↑)

¹¹ Since the drawings show the short “s” form in “compasses” (rather than “compaſſes”) this might suggest that it was printed during or after 1795–1810 when the transition was firmly under way in printing in the US and England from the older long form of “ſ” to the modern “s” form. In the US this transition was finalised by an Act of Congress in 1803. The still archaic shape of the “s” rendered - a little like the modern italicised s - still suggests the page was printed at an early point in the transition. Further complicating matters, Thomas Jeffries in his own advertisements from as early as 1760 scribes his name and associated words with a modern “s” so the plate may in fact reproduce the title that he printed on it with his careful engraver’s hand, and be contemporaneous with his life. (↑)

¹² Since the drawings show the short “s” form in “compasses” (rather than “compaſſes”) this might suggest that it was printed during or after 1795–1810 when the transition was firmly under way in printing in the US and England from the older long form of “ſ” to the modern “s” form. In the US this transition was finalised by an Act of Congress in 1803. The still archaic shape of the “s” rendered - a little like the modern italicised s - still suggests the page was printed at an early point in the transition. Further complicating matters, Thomas Jeffries in his own advertisements from as early as 1760 scribes his name and associated words with a modern “s” so the plate may in fact be contemporaneous with his life. (↑)

¹³ Since the drawings show the short “s” form in “compasses” (rather than “compaſſes”) this might suggest that it was printed during or after 1795–1810 when the transition was firmly under way in printing in the US and England from the older long form of “ſ” to the modern “s” form. In the US this transition was finalised by an Act of Congress in 1803. The still archaic shape of the “s” rendered - a little like the modern italicised s - still suggests the page was printed at an early point in the transition. Further complicating matters, Thomas Jeffries in his own advertisements from as early as 1760 scribes his name and associated words with a modern “s” so the plate may in fact reproduce the title that he wrote on it, and be contemporaneous with his life. (↑)

¹⁴ Since the drawings show the short “s” form in “compasses” (rather than “compaſſes”) this suggests that it was printed during or after 1795–1810 when the transition was made in printing in the US and England from the older long form of “ſ” to the modern “s” form. In the US this transition was finalised by an Act of Congress in 1803. The still archaic shape of the “s” rendered - a little like the modern italicised s - still suggests the page was printed at an early point in the transition. (↑)

¹⁵ Since the drawings show the short “s” form in “compasses” (rather than “compaſſes”) this might suggest that it was printed during or after 1795–1810 when the transition was firmly under way in printing in the US and England from the older long form of “ſ” to the modern “s” form. In the US this transition was finalised by an Act of Congress in 1803. The still archaic shape of the “s” rendered - a little like the modern italicised s - still suggests the page was printed at an early point in the transition. Further complicating matters, Thomas Jeffries in his own advertisements from as early as 1760 scribes his name and associated words with a modern “s” so the plate may in fact be contemporaneous with his life. (↑)

¹⁶ Since the drawings show the short “s” form in “compasses” (rather than “compaſſes”) this suggests that it was printed during or after 1795–1810 when the transition was made in printing in the US and England from the older long form of “ſ” to the modern “s” form. If the page is of US origin which it may well be since that is where it was purchased, then the transition also began in about 1795 but was finalised by an Act of Congress in 1803. The still archaic shape of the “s” rendered - a little like the modern italicised s - still suggests the page was printed at an early point in the transition. (↑)

¹⁷ Since the drawings show the short “s” form in “compasses” (rather than “compaſſes”) this suggests that it was printed during or after 1795–1810 when the transition was made in printing in the US and England from the older long form of “ſ” to the modern “s” form. In the US this transition was finalised by an Act of Congress in 1803. The still archaic shape of the “s” rendered - a little like the modern italicised s - still suggests the page was printed at an early point in the transition. (↑)

¹⁸ Since the drawings show the short “s” form in “compasses” (rather than “compaſſes”) this suggests that it was printed during or after 1795–1810 when the transition was made in printing from the older long form of “ſ” to the modern “s” form. If the page is of US origin which it may well be since that is where it was purchased, then the transition also began in about 1795 but was finalised by an Act of Congress in 1803. The still archaic shape of the “s” rendered - a little like the modern italicised s - still suggests the page was printed at an early point in the transition. (↑)

¹⁹ Since the drawings show the short “s” form in “compasses” (rather than “compaſſes”) this suggests that it was printed during or after 1795–1810 when the transition was made in printing in the US and England from the older long form of “ſ” to the modern “s” form. If the page is of US origin which it may well be since that is where it was purchased, then the transition also began in about 1795 but was finalised by an Act of Congress in 1803. The still archaic shape of the “s” rendered - a little like the modern italicised s - still suggests the page was printed at an early point in the transition. (↑)

²⁰ Since the drawings show the short “s” form in “compasses” this suggests that it was printed during or after 1795–1810 when the transition was made in printing from the older long form of “ſ” to the modern “s” form. If the page is of US origin which it may well be since that is where it was purchased, then the transition also began in about 1795 but was finalised by an Act of Congress in 1803. The still archaic shape of the “s” rendered - a little like the modern italicised s - still suggests the page was printed at an early point in the transition. (↑)

²¹ Since the drawings show the short “s” form in “compasses” (rather than “compaſſes”) this suggests that it was printed during or after 1795–1810 when the transition was made in printing from the older long form of “ſ” to the modern “s” form. If the page is of US origin which it may well be since that is where it was purchased, then the transition also began in about 1795 but was finalised by an Act of Congress in 1803. The still archaic shape of the “s” rendered - a little like the modern italicised s - still suggests the page was printed at an early point in the transition. (↑)

²² Since the drawings show the short “s” form in “compasses” this suggests that it was printed during or after 1795–1810 when the transition was made in printing from the older long form of “ſ” to the modern “s” form. If the page is of US origin which it may well be since that is where it was purchased, then the transition also began in about 1795 but was finalised by an Act of Congress in 1803. (↑)

²³ Since the drawings show the short “s” form in “compasses” this suggests that it was printed during or after 1795–1810 when the transition was made in printing from the older long form of “ſ” to the modern “s” form. If the page is of US origin which it may well be since that is where it was purchased, then the transition also began in about 1795 but was finalised by an Act of Congress in 1803. The still archaic shape of the “s” rendered - a little like the modern italicised s - still suggests the page was printed at an early point in the transition. (↑)

²⁴ Since the drawings show the short “s” form in “compasses” this suggests that it was printed during or after 1795–1810 when the transition was made in printing from the older long form of “ſ” to the modern “s” form. If the page is of US origin which it may well be since that is where it was purchased, then the transition also began in about 1795 but was finalised by an Act of Congress in 1803. (↑)

²⁵ Ephemera Thomas Jefferys Sr: Two engraved advertisement labels viewed 19 May 2012. (↑)

²⁶ See David Rumsey Map Collection viewed 19 May 2012. (↑)

²⁷ Ephemera Thomas Jefferys Sr: Two engraved advertisement labels viewed 19 May 2012. (↑)

²⁸ http://portal.digmap.eu/index/kbr/aut/J/EN/kbr_1_1472228.digmap_jefferysthomasca.html viewed 19 May 2012 (↑)

²⁹ See David Rumsey Map Collection viewed 19 May 2012. (↑)

³⁰ Ephemera Thomas Jefferys Sr: Two engraved advertisement labels viewed 19 May 2012. (↑)

³¹ See David Rumsey Map Collection viewed 19 May 2012. (↑)

³² Ephemera Thomas Jefferys Sr: Two engraved advertisement labels viewed 19 May 2012. (↑)

³³ See David Rumsey Map Collection viewed 19 May 2012. (↑)

³⁴ See David Rumsey Map Collection viewed 19 May 2012. (↑)

³⁵ Ephemera Thomas Jefferys Sr: Two engraved advertisement labels viewed 19 May 2012. (↑)

³⁶ See David Rumsey Map Collection viewed 19 May 2012. (↑)

³⁷ Further information including the documentary basis for this description can be found at Ephemera Thomas Jefferys Sr: Two engraved advertisement labels viewed 19 May 2012. (↑)

³⁸ Further information including the documentary basis for this description can be found at Ephemera Thomas Jefferys Sr: Two engraved advertisement labels viewed 19 May 2012. (↑)

³⁹ See David Rumsey Map Collection viewed 19 May 2012. (↑)

⁴⁰ Further information including the documentary basis for this description can be found at Ephemera Thomas Jefferys Sr: Two engraved advertisement labels viewed 19 May 2012. (↑)

http://meta-studies.net/pmwiki/uploads/JefferysPrint.jpg

Signed T. Jefferys sculp.

Thos. Jefferys was Geographer to His Royal Highness the Prince of Wales. (1760)